Getting started is simple. Reach out through the contact form with a brief description of what you’re looking for—even if it’s rough or incomplete. From there, we’ll schedule a short conversation to clarify goals, timelines, and budget, and decide if we’re a good fit. If we move forward, I’ll outline next steps clearly so you know exactly what to expect.

That’s entirely up to you. Some clients like to be deeply involved with concepts, feedback, and creative direction, while others prefer to hand things off and trust the process. I’m comfortable working either way—and I’ll adapt my approach to match your level of involvement while keeping communication clear throughout the project.

That’s completely normal—and honestly, it’s how many of the best projects start. You don’t need to have a fully formed vision or know all the right creative terms. Part of my job is helping you figure that out.
I guide the process by asking the right questions, offering clear options, and translating rough ideas, feelings, or goals into a focused visual direction. Whether you’re coming in with a vague concept, a reference or two, or just a sense of what you don’t want, we’ll shape it together into something intentional and effective.
Clarity isn’t a prerequisite—it’s part of the process.

Generally, no. I’m very intentional about keeping my pricing competitive while delivering high-quality, professional work.
That said, I do offer discounts for veterans, and I’m open to trade or bartered arrangements when it makes sense for both parties. I also work closely with clients to match the scope of a project to the budget they have—adjusting deliverables, timelines, or approach without sacrificing quality.
The goal is always the same: fair pricing, clear expectations, and work that’s worth the investment.

Over the years, I’ve had the opportunity to work on a wide range of projects—from small, story-driven brand shoots to large-scale nonprofit and community events. One of the most meaningful has been my work with the American Lung Association, where I was hired to produce video interviews, promotional content, and event photography for their annual fundraising gala. The project involved capturing honorees’ stories, documenting the live event, and creating polished assets used for donor engagement and post-event marketing.
Beyond that, I’ve collaborated with cities, local businesses, and nonprofits to create visuals for website redesigns, marketing campaigns, and brand storytelling—everything from architectural and facility photography to cinematic highlight reels and product-focused content. Whether the project is large or small, the common thread is intentional storytelling: visuals designed not just to look good, but to communicate purpose, emotion, and trust.

42.

Because half the time, we’re not lost—we’re just asking the wrong questions. Or asking the right ones too early. Or expecting a clean number when what we actually need is direction, responsibility, and maybe a towel.